Marin Marian-Balasa

C. Brailoiu Institute of Ethnography and Folklore, Bucuresti, Romania; University of Theatrical Arts, Targu Mures, Romania, Bucuresti, .

E-mail: trimite un mesaj.

Pagina web a instituţiei: http://eme.ong.ro
Pagina web personala: http://eme.ong.ro

Nascut(a) in: 1959

Interese: muzicologie, antropologie culturala, litearatura, teoria sacrului

Detalii:
Absolvent al Conservatorului de Muzica din Cluj. Dr. in Filosofie (Facultatea de Filosofie, Universitatea Bucuresti, 1995). Membru UCMR (Uniunea Compozitorilor si Muzicologilor din Romania) si USR (Uniunea Scriitorilor din Romania). Cercetare de teren si specializari postdoctorale in Romania, India, China, Iran, Scandinavia, Ungaria, SUA. Bursier Fulbright atasat la University of Chicago (2001-2002). Presedinte al Asociatiei "Romanian Fulbright Alumni" (2004-2011). Fondator al periodicului academic "European Meetings in Ethnomusicology", redactor principal al "Revistei de etnografie si folclor / Journal of Ethnography and Folklore"

Details:
Graduated from the Conservatory of Music in Cluj-Napoca. Dr. of Philosophy (University of Bucharest, 1995). UCMR member (association of professional composers and musicologists in Romania), USR (association of professional writers in Romania. Field research and postdoctoral studies in Romania, India, China, Iran, Scandinavian countries, Hungary, USA. Fulbright Fellow (associated with the University of Chicago, 2001-2002). President of the "Romanian Fulbright Alumni" Association (2004-2011). Founder of the academic journal "European Meetings in Ethnomusicology" (1993-), senior editor of the "Revista de etnografie si folclor / Journal of Ethnography and Folklore" (2007-).

Publicații selectate:

* Marin Marian-Balasa, Romanian Ethnomusicologies: The Second Version of an International Bibliography of Scholarly Literature, ‘Revista de etnografie şi folclor / Journal of Ethnography and Folklore’, 1, 2007.

* Marin Marian-Balasa, Romanian Ethnomusicologies: A Briefly Commented Bibliography of Academic Literature Published in International Languages, ‘The World of Music’, 43 (2+3), 2001.

* Marin Marian-Balasa, Musics and Musicologies of the “Hungarian-Romanian Conflict”, ‘European Meetings in Ethnomusicology’, 9, 2002.

* Marin Marian-Balasa, The Metaphysics of the Folk Song: Actualization of Virtual Forms, Disappearance of Potentialities, and Invasion of Novelties, 'Revista de etnografie şi folclor / Journal of Ethnography and Folklore', 2, 2007.

* Marin Marian-Balasa, The Real Being of the Folk Song: Actual and Virtual Forms, ‘Studia Musicologica Academiae Scientiarum Hungaricae’, 1-3 (44), 2003.

* Marin Marian-Balasa, Romany Music and Gypsy Criminality, 'Ethnologia Balkanica' (Journal for Southeast European Anthropology), 8, 2004.

* Marin Marian-Balasa, Performing Religiousness through Joyful Noise and Playful Order: Notes on Shapenote Singing, 'European Meetings in Ethnomusicology', 10, 2003.

* Marin Marian-Balasa, How the Balkans Have Conquered the USA, Craiova: Aius, Symposia. Caiete de etnologie şi antropologie / Symposia: Journal for Studies in Ethnology and Anthropology, 2003, 2003.

* Marin Marian-Balasa, On the Social-Cultural Role of Music among Minor Religions (Some Romanian Samples), Sofia: Bulgarian Academy of Sciences, Institute of Art Studies, Rosemary Statelova, Angela Rodel, Lozanka Peycheva, Ivanka Vlaeva and Ventsislav Dimov, The Human World and Musical Diversity. Proceedings from the Fourth Meeting of the ICTM Study Group “Music and Minorities” in Varna, Bulgaria 2006, 2008.

* Marin Marian-Balasa, On the Musical Cult of Shapenote Singers, Vilnius: Lithuanian Academy of Music and Theatre. Department of Ethnomusicology, ed. Rimantas Astrauskas, Traditional Music and Research in the Baltic Area. New Approaches in Ethnomusicology, 2005.

* Marin Marian-Balasa, Zorile din crepuscul, Ed. Herald, 1999.

* Marin Marian-Balasa, Ethnomusicology as a Humanistic Science: From Sociology and Technicism to Anthropology and Culture Philosophy, 'East European Meetings in Ethnomusicology', 1, 1994.

* Marin Marian-Balasa, Romanian Traditional Identity - As Searched by the Brãiloiu Institute, 'East European Meetings in Ethnomusicology', 7, 2000.

* Marin Marian-Balasa, Romanian Folk Music Studies Abroad: Perceptions and Representations, 'European Meetings in Ethnomusicology', 8, 2001.

* Marin Marian-Balasa, Adrian Vicol, 'Encyclopaedia Judaica', 20, 2005.

* Marin Marian-Balasa, Ghisela Suliteanu, 'Encyclopaedia Judaica', 19, 2005.

* Marin Marian-Balasa, Paula Carp, 'Encyclopaedia Judaica', 4, 2005.

* Marin Marian-Balasa, Harry Brauner, McMillan Press, 'Encyclopaedia Judaica', 4, 2005.

* Marin Marian-Balasa, Pasarea Maiastra. Sensul creator al existentei umane ca revelatie a folclorului, Ed. Minerva, 1991.

* Marin Marian, Chipul Geniului. Eseu despre creativitatea exemplara, Ed. Muzicala, 1991.

* Marin Marian-Balasa, Unconventional Settings for Formerly Conventional Musics, Gdansk: University of Gdansk, eds. Susan C. Pearce and Eugenia Sojka, Mosaics of Change: The First Decade of Life in the New Eastern Europe, 2000.

* Marin B. Marian, Mitologia oului, Ed.Minerva, 1992.

* Marin Marian, Oedip, sau despre sensul eroic al existentei in drama, Ed. Minerva, 1995.

* Marin Marian-Balasa, Colinda - epifanie si sacrament, Minerva (Colectia " Universitas" ), 2000.

* Marin Marian-Balasa, Studii si materiale de antropologie muzicala, Editura Muzicala, 2003.

* Marin Marian-Balasa, Music on Money: State Legitimation and Cultural Representation, New York: RILM, ‘Music in Art: International Journal for Music Iconography’, 1-2 (28), 2003.

* Marin Marian-Balasa, An Introduction to the Discussion of Musical References Printed on Banknotes, Berlin: Weidler Buchverlag, ed. Bruno B. Reuer, United Europe - United Music? Diversity and Social Dimensions in Central and Southeastern Europe, 2004.

* Marin Marian-Balasa, Arte si extaze in India actuala, Paralela 45, 2007.

* Marin Marian-Balasa, Despre semitonul metafizic, Ed. Academiei Romane, 'Revista de Filosofie', 2, 1993.

* Marin Marian, Reprezentanţi ai esteticii muzicale, Ed.Academiei RSR, 'Revista de Filosofie', 2, 1989.

* Marin Marian, Musical Aesthetics in Romanian Thinking. Moments and Attributes, 'Revue Roumaine des Sciences Sociales. Série de Philosophie et Logique', 1-2, 1989.

* Marin Marian-Balasa, Old Sounds in the Transition Town, Munchen: Südostdeutsche Kulturwerk, ed. Bruno B. Reuer, Music im Umbruch. Culturelle Identität und gesellschaftlicher Wandel in Südosteuropa. New Countries, Old Sounds? Cultural Identity and Social Change in Southeastern Europe, 1999.

* Marin Marian-Balasa, Birds in Cages Still Sing Well: An Introduction to the Musical Anthropology of Romanian Jails, Univ.of Illinois Press, 'Ethnomusicology' (USA), 46/2, 2002.

* Marin Marian-Balasa, Music, Musicology, and Hungarian and Romanian Nationalisms, Aachen: Shaker Verlag, eds. Steven Totosy de Zepetnek, Carmen Andras, and Magdalena Marsovszky, The New Central and East European Culture, 2006.

* Marin Marian-Balasa, Who Actually Needs Transcription? Notes on the Modern Rise of a Method and the Postmodern Fall of an Ideology, Univ.of Bamberg, guest editor, Marin Marian-Balasa, 'The World of Music', 47/2, 2005.

* Marin Marian-Balasa, Romania, London: Continuum, eds. John Shepherd, David Horn and Dave Laing, Continuum Encyclopedia of Popular Music of the World, Part 2: Locations, Volume VII: Europe, 2005.

* Marin Marian-Balasa, Bucharest, London: Continuum, eds. John Shepherd, David Horn and Dave Laing, Continuum Encyclopedia of Popular Music of the World, Part 2: Locations, Volume VII: Europe, 2005.

* Marin Marian-Balasa, On the Political Contribution of Ethnomusicology: From Fascist Nationalism to Communist Ethnocentrism, Routledge, "Journal of Musicological Research", vol. 26/2&3/April, 2007.