Camelia Elias

Associate Professor, Roskilde University, Roskilde, .

E-mail: trimite un mesaj.

Pagina web a instituţiei: http://ruc.dk/cuid/uddannelser/engelsk/Medarbejdere/
Pagina web personala: http://www.akira.ruc.dk/~camelia/

Nascut(a) in: 1968

Interese: Teorie Literara, Literatura Americana sec. 20-21, Literatura Comparata

Detalii:
Am absolvit studiile de doctorat cu teza (PhD) intitulata "Fragmentul: contributii spre istoria si poetica unui gen performativ" (2002)la Universitatea din Odense. In 2003 am fost cercetator la Centrul de Literatura Comparata din cadrul Facultatii de Litere de la Universitatea din Lisabona, lucrind la un proiect despre aforisme. In prezent sunt profesor conferentiar la Universitatea din Roskilde.

Details:
Since coming to Denmark in 1990, I have taken an MA in English (1998) (literary hermeneutics) from Aalborg University.

In 2002 I was awarded the PhD degree for my dissertation: "The Fragment: Towards a History and Poetics of a Performative Genre". (University of Southern Denmark - Odense campus)

I was a visiting scholar at Columbia University, French Department, NY (2000, 2001). In 2003 I was a postdoctoral researcher at University of Lisbon, Center for Comparative Studies.

Currently, I'm an associate professor of American studies in the Department of Identity and Culture at Roskilde University.

My research interests are within the field of literary theory and criticism, both its history, spanning from the German Romantics to postmodern discourses, and its current manifestations in continental philosophy and American post-structuralism.

I am also interested in generic aspects of literary concepts, such as the fragment, the aphorism, the epitaph, and the epigraph, and my teaching and writing covers related areas such as the essay (both philosophical and literary), and the prose poem. In this line of research and teaching I mostly draw on contemporary Anglophone texts.

Publicații selectate:

* Camelia Elias, Between Gazes: Feminist, Queer, and 'Other' Films, EyeCorner Press, 2009.

* Camelia Elias, Prose/Poetry - The Prose Poem: Generic Dualities, Bulletin de la Société de Stylistique Anglaise, Dualité(s)/Dualities, 2007.

* Camelia Elias, Dreaming Aphorisms, Mireille Quivy, Cercles: Interdisciplinary Journal of Anglophone Literature, 9, 2007.

* Camelia Elias, ed, Federman Frenzy: the 'cult' in culture, the 'me' in memory, the 'he' in history - encounters with Raymond Federman, 2008.

* Camelia Elias, "Unbeginnings: The Fragment as a Round Space", Universidade de Aveiro, Centro de Linguas e Culturas, António Manuel Ferreira, Forma Breve 4, 2006.

* Camelia Elias, "Stumbling unto Grace – Invention and the Poetics of Imagination in Hofstadter's Gödel, Escher, Bach", Janus Head. Interdisciplinary Journal of Continental Philosophy, Literature, Phenomenological Psychology, and Art, 9.1, 2006.

* Camelia Elias, "Portraits in Pain: the Psychology of Inspiration in Lynn Emanuel's poems", Jonathan Goodwin, Proceedings of the 22nd International Literature and Psychology Conference. Cordoba, Spain, 2006.

* Camelia Elias, "Passage-way to Culture and Writing - Literature of Transit: Codrescu, Federman, Hoffman, and Simic", Aalborg University Press, Camelia Elias & Andrea Birch, Cultural Text Studies 2: Transatlantic, 2006.

* Camelia Elias, "A Mile in her Shoes: Culture Metamorphoses in Rebecca Miller's Personal Velocity", Aalborg: Aalborg University Press 2006, Camelia Elias & Bent Sørensen, Cultural Text Studies 1: An Introduction, 2006.

* Camelia Elias & Bent Sørensen, Cultural Text Studies 1: An Introduction, Aalborg University Press, 2006.

* Camelia Elias & Andrea Birch, Cultural Text Studies 2 - Transatlantic, Aalborg University Press, 2006.

* Camelia Elias, "Clowns of Potentiality: Repetition and Resolution in Gertrude Stein and Emile Cioran", Mireille Quivy, Cercles: Interdisciplinary Journal of Anglo-American Literature, Style in the Making. Nr. 14., 2005.

* Camelia Elias, "Expropriated Titles in Lynn Emanuel's Poetry of Impropriety", Aalborg University Press, Camelia Elias, Untitled, Working Papers. 37, 2005.

* Camelia Elias, "Closet Fictions: Cynthia Ozick and Raymond Federman", Aarhus University, Tim Caudery, Proceedings of the Ninth Nordic Association of English Studies Conference, 2004.

* Camelia Elias, "Transmitting (to) Derrida", Department of Languages and Intercultural Studies. Aalborg University, Five Faces of Derrida, Arbejdspapirer 35. Ed. Bent Sørensen, 2005.

* Camelia Elias, "Redundant Pens and Stupid Writing", Mireille Quivy and Philippe Romanski, Cercles. Interdisciplinary Journal of Anglophone Literature - Selected Papers Series, Nr. 3, 2005.

* Camelia Elias, The Fragment: Towards a History and Poetics of a Performative Genre, New York: Peter Lang, 2004.

* Camelia Elias, "Closet Fictions: Cynthia Ozick and Raymond Federman", Aarhus: Aarhus University, Tim Caudery, Conference Proceedings, 2004.

* Camelia Elias, "Aforismi e potenzialità: incontri", Firenze: Le Monnier, Orsetta Innocenti, Incontri - Atti della Scuola Europea di Studi Comparati. Quaderni di Synapsis III.Cartografie dell'Immaginario. Saggi di letterature Comparate. Collana diretta da Remo Ceserani, 2004.

* Camelia Elias, "Framing the Fragment: Epigraphic Writing in Gordon Lish and Jacques Derrida", Thomas Dutoit and Philippe Romanski, Angles on Derrida: Jacques Derrida and Anglohone Literature, The Oxford Literary Review. Issue 25, 2004.

* Camelia Elias & Bent Sorensen, "Eliot's The Waste Land", Heldref Publications, The Explicator, Vol. 62 Nr. 2 Winter, 2004.

* Camelia Elias, "Narrative in a Nutshell: Epigrammatic Fragmentary Writing", University Press of Southern Denmark, Anders Klinkby Madsen and Hans Balling, From Homer to Hypertext: Studies in Narrative, Literature, Media, 2002.

* Camelia Elias, "6 Epigraphs in Search of a Text", SUNY, Buffalo, NY, Stacey Herbert, The Practice of Theory, theory@buffalo 5, 1999.

* Camelia Elias, "Wit as Final Aesthetic Imperative: the fragmentary and the incomplete in Schlegel, Blanchot, and Jabès", Lars-Olof Åhlberg, Aesthetic Experience and Interpretation, The Nordic Journal of Aesthetics, Nr. 24, 2001.

* Camelia Elias, "Ten Theses on the Fragment", Paul Doru Mugur, Respiro - Fast-Forward Culture, Issue 10, 2003.

* Camelia Elias, "Ekphrastic Plastic Fragments: Mark C. Taylor In and Out of Context", Carl Raschke, Journal for Cultural and Religious Theory, April, 2001.

* Camelia Elias, "Truth in the Margin, or Bloom's Idiosyncratic Reader", Paul Doru Mugur, Respiro - Fast Forward Culture, Issue 11, 2003.

* Camelia Elias, "Fragmentary Epigrams: Marcel Bénabou's Authorial Mise-en-Scène", University of Western Ontario, Calin-Andrei Mihailescu, Literary Research - Recherche Littéraire, Journal of the International Comparative Literature Association, Vol. 19 nos. 37-38, 2002.