Autori: Alexandru Ştefãniţã, Gabriela Ştefãniţã, pr. Viorel R. Barbu, Diana Barbu

Editorial: Doxologia, Conservarea si Restaurarea Patrimoniului Cultural, XVI, ISSN 2286-1459, ISSN-L 2286-1459, 2014.

Rezumat:

The subject of the votive picture embellishes at first the western wall of the nave, which then sets apart in important place in the narthex. Even the name of it, votive picture, lead us to think of the message it transmits, i.e. a picture of consecration, of offering the worship place to the Heavenly Protector. The significance of the displaying of the votive picture comes form the fact that is, besides representing a first-hand document for setting the monument in a certain historical period, it has the role of retracing the particular vision of the artists of the time, who indulged themselves in abandoning, in this range, some measure the rigour of the classcial iconographic programme . The repsent study is consecrated to the analyzing, from the restorer’s point of view, of such an secular element of a documentary value in the 19th century’s Church Painting.

Cuvinte cheie: tablou votiv, Regele Carol I, Regina Elisabeta, Biserica Domneascã, picturã în ulei