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Silviu Tatu Jotham’s Fable and the Crux Interpretum in Judges ix. Vetus Testamentum, p.105-124, 2006.
Lorenzo DiTommaso and Lucian Turcescu, eds The Reception and Interpretation of the Bible in Late Antiquity: Proceedings of the Montréal Colloquium in Honour of Charles Kannengiesser. 2008.
Camelia Elias „Portraits in Pain: the Psychology of Inspiration in Lynn Emanuel’s poems”. Proceedings of the 22nd International Literature and Psychology Conference. Cordoba, Spain, p.1-10, 2006.
Camelia Elias „Passage-way to Culture and Writing – Literature of Transit: Codrescu, Federman, Hoffman, and Simic”. Cultural Text Studies 2: Transatlantic, p.55-78, 2006.
Camelia Elias „A Mile in her Shoes: Culture Metamorphoses in Rebecca Miller’s Personal Velocity”. Cultural Text Studies 1: An Introduction, p.209-228, 2006.
Camelia Elias & Bent Sørensen Cultural Text Studies 1: An Introduction. , p.242, 2006.
Beatrice Ciuta Paleoetnobotanica.Aspecte metodologice privind prelevarea, procesarea si interpretarea macroresturilor vegetale recuperate din siturile arheologice. 2003.
Laurentiu Radvan, Alexandru-Florin Platon De la Cetatea lui Dumnezeu la Edictul din Nantes. Izvoare de istorie medievala (secolele V-XVI). 2005.
Laurentiu Radvan Orasele din Tara Romaneasca pana la sfarsitul secolului al XVI-lea. 2004.
Bogdan Baghiu Logosul in filosofia stoicilor si in unele scrieri patristice. 2005.
Mihaela Frunza Feminism ca/si ideologie. Journal for the Study of Religions and Ideologies, p.4-24, 2003.
Mihaela Frunza Între religiozitate şi marketing: analiza unui fenomen literar. Journal for the Studies of Religions and Ideologies, p.28-38, 2005.
Grec Marius Zamolxis: Une personnalite charismatique de l’Antiquite au nord du Danube Inferior. Les Cahiers de Psychologie politique, 2006.
Camelia Elias & Andrea Birch Cultural Text Studies 2 – Transatlantic. , p.224, 2006.
Gabriela Debita Aemilia Lanyer and Reversed Petrarchism in „Salve Deus Rex Judaeorum”. Ottawa-Carleton Medieval and Renaissance Colloquium, Ottawa, December, 2003.
Gabriela Debita From Heloise to „Je, Christine” – Christine de Pizan and the Rewriting of the Epistolary Genre. Ottawa-Carleton Medieval and Renaissance Colloquium, Ottawa, April, 2005.
Gabriela Debita The Gospel According to Eve – Early Modern Women Writers and Biblical Revision. -doctoral thesis in progress-, 2008.
Irina Mirea The Unbearable Evanescence of Being. Reflections of the Love Life during Transiency. 2005.
Camelia Elias „Clowns of Potentiality: Repetition and Resolution in Gertrude Stein and Emile Cioran”. Cercles: Interdisciplinary Journal of Anglo-American Literature, p.41-57, 2005.
Marius Dumitru Compositionality, the Language of Thought, and the Dynamic Map of Thought. 2005.
Lucian Turcescu Gregory of Nyssa and the Concept of Divine Persons. 2005.
Camelia Elias „Expropriated Titles in Lynn Emanuel’s Poetry of Impropriety”. Untitled, p.11-23, 2005.
Camelia Elias „Closet Fictions: Cynthia Ozick and Raymond Federman”. Proceedings of the Ninth Nordic Association of English Studies Conference, 2004.
Camelia Elias „Transmitting (to) Derrida”. Five Faces of Derrida, 2005.
Camelia Elias „Redundant Pens and Stupid Writing”. Cercles. Interdisciplinary Journal of Anglophone Literature - Selected Papers Series, 2005.
Marius Dumitru Aspecte meta-teoretice ale problematicii mediului reprezentational mental. 2004.
Camelia Elias The Fragment: Towards a History and Poetics of a Performative Genre. , p.410, 2004.
Camelia Elias „Closet Fictions: Cynthia Ozick and Raymond Federman”. Conference Proceedings, 2004.
Camelia Elias „Aforismi e potenzialità: incontri”. Incontri - Atti della Scuola Europea di Studi Comparati. Quaderni di Synapsis III.Cartografie dell'Immaginario. Saggi di letterature Comparate. Collana diretta da Remo Ceserani, 2004.
Marin Marian-Balasa Music on Money: State Legitimation and Cultural Representation. Music in Art, p.171-187, 2003.
Marin Marian-Balasa An Introduction to the Discussion of Musical References Printed on Banknotes. United Europe – United Music? Diversity and Social Dimensions in Central and Southeastern Europe, p.89-107, 2004.
Marin Marian-Balasa Ethnomusicology as a Humanistic Science: From Sociology and Technicism to Anthropology and Culture Philosophy. 'East European Meetings in Ethnomusicology, p.3-17, 1994.
Eduard George Mindirigiu „Crist’s presence in The Holy Sacrament”. 2004.
Camelia Elias „Framing the Fragment: Epigraphic Writing in Gordon Lish and Jacques Derrida”. Angles on Derrida: Jacques Derrida and Anglohone Literature, 2004.
Camelia Elias & Bent Sorensen „Eliot’s The Waste Land”. The Explicator, 2004.
Vlad.I.Mischevca Un domn fanariot puţin cunoscut: Emanuel Giani-Rosetti (Manole Ruset), 1715-1794. Închinare lui Petre Ş. Nãsturel la 80 de ani, p.733-745, 2003.
Alexandru Bogdan Duca Documentele dogmatice ale conciliului Vatican II.O lectura ortodoxa. 2003.
Marin Marian-Balasa Studii si materiale de antropologie muzicala. , p.396 p., 2003.
Simona Elena Bernat, Vasile Chis (coord) Cooperare si interdisciplinaritate in invatamantul universitar. Culegere de studii la Scoala de vara 2002, p.205, 2002.
Vasile Chiş Provocãrile Pedagogiei Contemporane. , p.221, 2002.
Leon Poliakov Mitul arian, traducere in limba romana de Liviu Ornea. 2003.
Geo Savulescu Lucian Blaga, Filosofia prin metafore. 2000.
Camelia Elias „Narrative in a Nutshell: Epigrammatic Fragmentary Writing”. From Homer to Hypertext: Studies in Narrative, Literature, Media, p.153-165, 2002.
Camelia Elias „6 Epigraphs in Search of a Text”. The Practice of Theory, p.28-57, 1999.
Camelia Elias „Wit as Final Aesthetic Imperative: the fragmentary and the incomplete in Schlegel, Blanchot, and Jabès”. Aesthetic Experience and Interpretation, The Nordic Journal of Aesthetics, p.33-46, 2001.
Camelia Elias „Ten Theses on the Fragment”. Respiro - Fast-Forward Culture, 2003.
Camelia Elias „Ekphrastic Plastic Fragments: Mark C. Taylor In and Out of Context”. Journal for Cultural and Religious Theory, 2001.
Camelia Elias „Truth in the Margin, or Bloom’s Idiosyncratic Reader”. Respiro - Fast Forward Culture, 2003.
Camelia Elias „Fragmentary Epigrams: Marcel Bénabou’s Authorial Mise-en-Scène”. Literary Research - Recherche Littéraire, Journal of the International Comparative Literature Association, p.183-201, 2002.